Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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“It’s your own fault,” Tietjens said. “You ought to have gone to my bonesetter. Settle it with Macmaster, will you?” He jumped into the twilight of the guard’s van.
The General looked at Macmaster, a quick, penetrating scrutiny:
“You’re the Macmaster,” he said. “You would be if you’re with Chrissie.”
A high voice called:
“General! General!”
“I want a word with you,” the General said, “about the figures in that article you wrote about Pondoland. Figures are all right. But we shall lose the beastly country if … But we’ll talk about it after dinner tonight. You’ll come up to Lady Claudine’s …”
Macmaster congratulated himself again on his appearance. It was all very well for Tietjens to look like a sweep; he was of these people. He, Macmaster, wasn’t. He had, if anything, to be an authority, and authorities wear gold tie-rings and broadcloth. General Lord Edward Campion had a son, a permanent head of the Treasury department that regulated increases of salaries and promotions in all the public offices. Tietjens only caught the Rye train by running alongside it, pitching his enormous kit-bag through the carriage window and swinging on the footboard. Macmaster reflected that if he had done that half the station would have been yelling, “Stand away there.”
As it was Tietjens a stationmaster was galloping after him to open the carriage door and grinningly to part:
“Well caught, sir!” for it was a cricketing county.
“Truly,” Macmaster quoted to himself,
“ ‘The gods to each ascribe a differing lot:
Some enter at the portal. Some do not!’ ”
Mrs. Satterthwaite, with her French maid, her priest, and her disreputable young man, Mr. Bayliss, were at Lobscheid, an unknown and little-frequented air resort amongst the pinewoods of the Taunus. Mrs. Satterthwaite was ultra-fashionable and consummately indifferent—she only really lost her temper if at her table and under her nose you consumed her famous Black Hamburg grapes without taking their skin and all. Father Consett was out to have an uproarious good time during his three weeks’ holiday from the slums of Liverpool; Mr. Bayliss, thin like a skeleton in tight blue serge, golden haired and pink, was so nearly dead of tuberculosis, was so dead penniless, and of tastes so costly that he was ready to keep stone quiet, drink six pints of milk a day and behave himself. On the face of it he was there to write the letters of Mrs. Satterthwaite, but the lady never let him enter her private rooms for fear of infection. He had to content himself with nursing a growing adoration for Father Consett. This priest, with an enormous mouth, high cheekbones, untidy black hair, a broad face that never looked too clean and waving hands that always looked too dirty, never kept still for a moment, and had a brogue such as is seldom heard outside old-fashioned English novels of Irish life. He had a perpetual laugh, like the noise made by a steam roundabout. He was, in short, a saint, and Mr. Bayliss knew it, though he didn’t know how. Ultimately, and with the financial assistance of Mrs. Satterthwaite, Mr. Bayliss became almoner to Father Consett, adopted the rule of St. Vincent de Paul and wrote some very admirable, if decorative, devotional verse.
They proved thus a very happy, innocent party. For Mrs. Satterthwaite interested herself—it was the only interest she had—in handsome, thin and horribly disreputable young men. She would wait for them, or send her car to wait for them, at the gaol gates. She would bring their usually admirable wardrobes up to date and give them enough money to have a good time. When contrary to all expectations—but it happened more often than not!—they turned out well, she was lazily pleased. Sometimes she sent them away to a gay spot with a priest who needed a holiday; sometimes she had them down to her place in the west of England.
So they were a pleasant company and all very happy. Lobscheid contained one empty hotel with large verandahs and several square farmhouses, white with grey beams, painted in the gables with bouquets of blue and yellow flowers or with scarlet huntsmen shooting at purple stags. They were like gay cardboard boxes set down in fields of long grass; then the pinewoods commenced and ran, solemn, brown and geometric for miles up and down hill. The peasant girls wore black velvet waistcoats, white bodices, innumerable petticoats and absurd particoloured headdresses of the shape and size of halfpenny buns. They walked about in rows of four to six abreast, with a slow step, protruding white-stockinged feet in dancing pumps, their headdresses nodding solemnly; young men in blue blouses, knee-breeches and, on Sundays, in three-cornered hats, followed behind singing part-songs.
The French maid—whom Mrs. Satterthwaite had borrowed from the Duchesse de Carbon Châteaulherault in exchange for her own maid—was at first inclined to find the place maussade. But getting up a tremendous love affair with a fine, tall, blonde young fellow, who included a gun, a gold-mounted hunting knife as long as his arm, a light, grey-green uniform, with gilt badges and buttons, she was reconciled to her lot. When the young Förster tried to shoot her—“et pour cause,” as she said—she was ravished and Mrs. Satterthwaite lazily amused.
They were sitting playing bridge in the large, shadowy dining-hall of the hotel: Mrs. Satterthwaite, Father Consett, Mr. Bayliss. A young blonde sublieutenant of great obsequiousness who was there as a last chance for his right lung and his career, and the bearded Kur-doctor cut in. Father Consett, breathing heavily and looking frequently at his watch, played very fast, exclaiming: “Hurry up now; it’s nearly twelve. Hurry up wid ye.” Mr. Bayliss being dummy, the Father exclaimed: “Three, no trumps; I’ve to make. Get me a whisky and soda quick, and don’t drown it as ye did the last.” He played his
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